Felicia is joined by Emily Gagne to discuss Jane Campion’s feminist western film, The Power of the Dog (2021).

Felicia is joined by Scott Cole to discuss Jane Campion’s vision of women in thrillers, in her 2003 film, In The Cut.

Felicia is joined by Ms. Sinclair to discuss Jane Campion’s take on women’s liberation in The Piano (1993)

Felicia is joined by Jamila Brown to discuss about Jane Campion’s adaptation of The Portrait of a Lady (1996).

In today’s Special Features episode Felicia is joined by Geoff Thomas, to discuss one of Luis Buñuel’s most political overt films, Diary of a Chambermaid (1964).

Felicia is joined José Roldan to discuss Gordon Willis’ work on Woody Allen’s controversial but groundbreaking film, Zelig (1983).

Felicia is joined by Martin Kessler to discuss Gordon Willis’ photography that would shape the rest of 1970s American cinema, in Hal Ashby’s The Landlord (1970).

Felicia is joined by Ryan Ritter to chat about Gordon Willis’ dark imagery in Alan J. Pakula’s detective thriller in Klute (1971).

Felicia is joined by Bryan Loomis and Hannah Loomis to discuss Gordon Willis’ visual take on the Watergate scandal in Alan J. Pakula’s All the President’s Men (1976).

Felicia is joined by Vinny Tucceri to discuss one of the 70s most underrated films about addiction, The Gambler (Karel Reisz 1974).

Felicia is joined by Ben Vargas to discuss Ingmar Bergman’s story of a priest inner turmoil in Winter Light (1963).

Felicia is joined by Aaron Strand to discuss Ingmar Bergman’s exploration of an aging man’s past lives, in Wild Strawberries (1957).

Felicia is joined by Jamila Brown to discuss Ingmar Bergman’s family epic that unfolds over four acts, Fanny and Alexander (1982).

Felicia is joined by Geoff Thomas to discuss Ingmar Bergman’s exploration of women’s sexual autonomy, in The Silence (1963).

Felicia is joined by Nick Sheist to discuss how John Carpenter made a killer car come alive in, Christine (1983).

Felicia is joined by Darragh McGrath to discuss John Cassavetes tale of a troubled romance, in Minnie and Moskowitz (1971).

Felicia is joined by Martin Kessler to discuss John Cassavetes take on an actress battling her inner demons in, Opening Night (1977).

Felicia is joined by Vanya Garraway to discuss John Cassavetes take on an LA neo-noir in The Killing of a Chinese Bookie (1976)

Felicia is joined by Rolo Tony to discuss John Cassavetes exploration of a woman's mental health crisis, in A Woman Under the Influence (1974)

Felicia is joined by Perry Jackson to discuss Albert Brooks’ film about toxic relationships, Modern Romance (1981).