Felicia is joined by Seth Vargas to discuss Arthur C. Miller’s brooding camera as it follows Jimmy Ringo in The Gunfighter (1950).

Felicia is joined by Darragh McGrath to discuss the harsh reality that Arthur C. Miller paints in The Prowler (1951).

Felicia is joined by Bryan Loomis to discuss Arthur C. Miller’s imprint on one of cinema’s greatest achievements in cinematography, How Green Was My Valley (1941).

Felicia is joined by Cethan Leahy to discuss the importance of Arthur C. Miller’s black and white photography in Dragonwyck (1946).

In today’s Special Features episode Felicia is joined once again by Seth Vargas to discuss the way David Byrne celebrates uniqueness in his film True Stories (1986).

Felicia is joined by Josh Cooley to discuss Kelly Reichardt exploration of a path to self sustenance and the journey of finding your best friend in Wendy and Lucy (2008).

Felicia is joined by Frieda Beckerman to discuss eco activism vs eco terrorism in the eyes of Kelly Reichardt’s Night Moves (2013).

Felicia is joined by Marc Basque to discuss male bonding in the eyes of Kelly Reichardt’s Old Joy (2006).

Felicia is joined by Peter Merriman to discuss the quiet beauty in everyday life through Kelly Reichardt’s Certain Women (2016).

Felicia is joined by Joey Gantner for a Special Features episode to discuss the world ending in the 80s, in Steve De Jarnatt’s Miracle Mile (1988).

Felicia is joined by Ben Turnbull to talk about the male ego in Douglas Sirk’s Written on the Wind (1956).

Felicia is joined by Jane Waldner to discuss the underlying feminist and queer themes in Douglas Sirk’s All That Heaven Allows (1955).

Felicia is joined by Darragh McGrath to discuss why The Tarnished Angels (1957) may be the most Sirkian at its core.

Felicia is joined by Josh Cooley to discuss the why it’s important to consider melodrama in a positive light through Douglas Sirk’s Magnificent Obsession (1954).

Felicia is joined by Jeanmarie Vargas to discuss the concept of inherent depression through Lars von Trier’s Melancholia (2011).

Felicia is joined by The Davids Podcast to discuss Lars von Trier’s take on male aggression, in The House That Jack Built (2018).

Felicia is joined by Scott Cole to discuss Lars von Trier’s take on an American musical in, Dancer in the Dark (2000).

Felicia is joined by Ryan Ritter to discuss the film that cemented the genre of Italian neo-realism in history; Vittorio De Sica’s Bicycle Thieves (1948).

Felicia is joined by Geoff Thomas to discuss the effects of capitalism on an old man and his dog in Vittorio De Sica’s Umberto D. (1952).