Felicia is joined by Raf Stitt to discuss Fritz Lang’s exploration of the male psyche in The Woman in the Window (1944).

Felicia is joined by Martin Kessler to discuss Fritz Lang’s first foray into the world of sound in his film M (1931).

Felicia is joined by Jason Christian to discuss the lasting impact of Jean Renoir’s Grand Illusion (1937).

Felicia is joined by Geoff Thomas to discuss Jean Renoir’s first colour film as he ventures over to India in The River (1951).

Felicia is joined by Ben Turnbull to discuss men behaving badly in Jean Renoir’s Boudu Saved From Drowning (1932).

Felicia is joined by John Pennington to discuss how Jean Renoir controlled chaos on the heels of an impending world war in his film The Rules of the Game (1939).

In today’s Special Features episode Felicia is joined by Whitney Wasson to discuss Barbara Loden’s fearless masterpiece Wanda (1970)

Felicia is joined by Seth Vargas to discuss Arthur C. Miller’s brooding camera as it follows Jimmy Ringo in The Gunfighter (1950).

Felicia is joined by Darragh McGrath to discuss the harsh reality that Arthur C. Miller paints in The Prowler (1951).

Felicia is joined by Bryan Loomis to discuss Arthur C. Miller’s imprint on one of cinema’s greatest achievements in cinematography, How Green Was My Valley (1941).

Felicia is joined by Cethan Leahy to discuss the importance of Arthur C. Miller’s black and white photography in Dragonwyck (1946).

In today’s Special Features episode Felicia is joined once again by Seth Vargas to discuss the way David Byrne celebrates uniqueness in his film True Stories (1986).

Felicia is joined by Josh Cooley to discuss Kelly Reichardt exploration of a path to self sustenance and the journey of finding your best friend in Wendy and Lucy (2008).

Felicia is joined by Frieda Beckerman to discuss eco activism vs eco terrorism in the eyes of Kelly Reichardt’s Night Moves (2013).

Felicia is joined by Marc Basque to discuss male bonding in the eyes of Kelly Reichardt’s Old Joy (2006).

Felicia is joined by Peter Merriman to discuss the quiet beauty in everyday life through Kelly Reichardt’s Certain Women (2016).

Felicia is joined by Joey Gantner for a Special Features episode to discuss the world ending in the 80s, in Steve De Jarnatt’s Miracle Mile (1988).

Felicia is joined by Ben Turnbull to talk about the male ego in Douglas Sirk’s Written on the Wind (1956).

Felicia is joined by Jane Waldner to discuss the underlying feminist and queer themes in Douglas Sirk’s All That Heaven Allows (1955).

Felicia is joined by Darragh McGrath to discuss why The Tarnished Angels (1957) may be the most Sirkian at its core.