Felicia is joined by Ben Turnbull to talk about the male ego in Douglas Sirk’s Written on the Wind (1956).

Felicia is joined by Jane Waldner to discuss the underlying feminist and queer themes in Douglas Sirk’s All That Heaven Allows (1955).

Felicia is joined by Darragh McGrath to discuss why The Tarnished Angels (1957) may be the most Sirkian at its core.

Felicia is joined by Josh Cooley to discuss the why it’s important to consider melodrama in a positive light through Douglas Sirk’s Magnificent Obsession (1954).