Felicia is joined by Kazmo to discuss the influence of the western genre on John Carpenter’s Assault on Precinct 13 (1976).

Felicia is joined by Darragh McGrath to discuss how John Carpenter explores the depths of evil in his film Prince of Darkness (1987).

Felicia is joined by Nick Sheist to discuss John Carpenter’s exploration of the evil among us in They Live (1988).

Felicia is joined by Rolo Tony to discuss Fritz Lang’s return to his roots as he blends German expressionism and film noir in Ministry of Fear (1944).

Felicia is joined by Raf Stitt to discuss Fritz Lang’s exploration of the male psyche in The Woman in the Window (1944).

Felicia is joined by Martin Kessler to discuss Fritz Lang’s first foray into the world of sound in his film M (1931).

Felicia is joined by Jason Christian to discuss the lasting impact of Jean Renoir’s Grand Illusion (1937).

Felicia is joined by Geoff Thomas to discuss Jean Renoir’s first colour film as he ventures over to India in The River (1951).

Felicia is joined by Ben Turnbull to discuss men behaving badly in Jean Renoir’s Boudu Saved From Drowning (1932).

Felicia is joined by John Pennington to discuss how Jean Renoir controlled chaos on the heels of an impending world war in his film The Rules of the Game (1939).

Felicia is joined by Josh Cooley to discuss Kelly Reichardt exploration of a path to self sustenance and the journey of finding your best friend in Wendy and Lucy (2008).

Felicia is joined by Frieda Beckerman to discuss eco activism vs eco terrorism in the eyes of Kelly Reichardt’s Night Moves (2013).

Felicia is joined by Marc Basque to discuss male bonding in the eyes of Kelly Reichardt’s Old Joy (2006).

Felicia is joined by Peter Merriman to discuss the quiet beauty in everyday life through Kelly Reichardt’s Certain Women (2016).

Felicia is joined by Ben Turnbull to talk about the male ego in Douglas Sirk’s Written on the Wind (1956).

Felicia is joined by Jane Waldner to discuss the underlying feminist and queer themes in Douglas Sirk’s All That Heaven Allows (1955).

Felicia is joined by Darragh McGrath to discuss why The Tarnished Angels (1957) may be the most Sirkian at its core.

Felicia is joined by Josh Cooley to discuss the why it’s important to consider melodrama in a positive light through Douglas Sirk’s Magnificent Obsession (1954).