Felicia is joined by Jeanmarie Vargas to discuss the concept of inherent depression through Lars von Trier’s Melancholia (2011).

Felicia is joined by The Davids Podcast to discuss Lars von Trier’s take on male aggression, in The House That Jack Built (2018).

Felicia is joined by Scott Cole to discuss Lars von Trier’s take on an American musical in, Dancer in the Dark (2000).

Felicia is joined by Ryan Ritter to discuss the film that cemented the genre of Italian neo-realism in history; Vittorio De Sica’s Bicycle Thieves (1948).

Felicia is joined by Geoff Thomas to discuss the effects of capitalism on an old man and his dog in Vittorio De Sica’s Umberto D. (1952).

Felicia is joined by Jason Christian to discuss the story of two young boys who just want to buy a horse but get sent to a juvenile prison instead, in Vittorio De Sica’s Shoeshine (1946).

Felicia is joined by Bryan and Hannah Loomis to discuss a film about hope and making the most out of the life you’ve been given in Vittorio De Sica’s Miracle in Milan (1951).

Felicia is joined by Jeanmarie Vargas to discuss Michael Haneke’s film about a woman just trying to live out her sexual fantasies in The Piano Teacher (2001).

Felicia is joined by Riley Greenwood to discuss a film about a family who makes a questionable decision in Michael Haneke’s The Seventh Continent (1989).

Felicia is joined by Nathan Cowles to discuss Michael Haneke’s dark mystery about the roots of evil in The White Ribbon (2009).

Felicia is joined by Jane Waldner to discuss Michael Haneke’s groundbreaking 1997 film Funny Games and his 2007 shot for shot remake.

Felicia is joined by Vanya Garraway to discuss David Cronenberg’s exploration of media consumption in a little film called Videodrome (1983).

Felicia is joined by Ms. Sinclair to discuss David Cronenberg’s psychological twin terror Dead Ringers (1988).

Felicia is joined by Newman to discuss Cronenberg’s return to body horror in Crimes of the Future (2022).

Felicia is joined by John Pennington to discuss conflicting parenting styles in David Cronenberg’s The Brood (1979).

Felicia is joined by Josh Cooley to discuss David Cronenberg’s otherworldly adaptation of William S. Burrough’s Naked Lunch (1991).

Felicia is joined by Calvin Kemph to discuss Catholic guilt and philosophy through the character’s in My Night at Maud’s (Éric Rohmer 1970).

Felicia is joined by Duran Aziz to discuss Éric Rohmer’s foray to the medieval era in Perceval (1978).

Felicia is joined by Frieda Beckerman to discuss Éric Rohmer’s film about a woman facing vacation ennui, in The Green Ray (1986).