Zelig (D.O.P. Gordon Willis 1983) w/ José Roldan
Felicia is joined José Roldan to discuss Gordon Willis’ work on Woody Allen’s controversial but groundbreaking film, Zelig (1983).
The Landlord (D.O.P. Gordon Willis 1970) w/ Martin Kessler (Filmmaker)
Felicia is joined by Martin Kessler to discuss Gordon Willis’ photography that would shape the rest of 1970s American cinema, in Hal Ashby’s The Landlord (1970).
Klute (D.O.P. Gordon Willis 1971) w/ Ryan Ritter
Felicia is joined by Ryan Ritter to chat about Gordon Willis’ dark imagery in Alan J. Pakula’s detective thriller in Klute (1971).
All the President’s Men (D.O.P. Gordon Willis 1976) w/ Bryan Loomis & Hannah Loomis
Felicia is joined by Bryan Loomis and Hannah Loomis to discuss Gordon Willis’ visual take on the Watergate scandal in Alan J. Pakula’s All the President’s Men (1976).
Mystery Train (D.O.P Robby Müller 1989) w/ Rolla Tahir
Felicia is joined by Rolla Tahir to discuss Robby Müller venture into Memphis and Elvis, in Jim Jarmusch's Mystery Train (1989)
To Live and Die in LA (D.O.P Robby Müller 1985) w/ Joey Gantner
Felicia is joined by Joey Gantner to discuss Robby Müller's take on crime in LA, in William Friedkin's To Live in Die in LA (1985)
24 Hour Party People (D.O.P Robby Müller 2002) w/ Perry Jackson
Felicia is joined by Perry Jackson to discuss Robby Müller's foray into the history of Factory Records, in Michael Winterbottom's 24 Hour Party People (2002)
Paris, Texas (D.O.P Robby Müller 1984) w/ Brendan Ross
Felicia is joined by Brendan Ross to discuss Robby Müller’s seminal work with Wim Wenders, their American film Paris, Texas (1984).
The American Friend (D.O.P. Robby Müller) w/ Peter Merriman
Felicia is joined by Peter Merriman to discuss Robby Müller’s groundbreaking work The American Friend (Wim Wenders 1977).